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This is the animation I made for uni :) Hope yous like it :)
You can also watch it on my YouTube channel, which is here x
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when i was having a nap before i had the bestest dream ever :D it started with me walking down the street with all of my art stuff, but i tripped over and dropped everything. anyway, this bloke came over and helped me pick it up, so i said thanks and looked up and guess who it was? noel fielding looking all awesome :D he was like ‘are you a scouser’ and i was like ‘you could tell?’ ha ha and he did a scouse accent because he said it was ace :D and then we started talking about art stuff because he went ‘wow your pictures are genius!’ in his lovely cockney accent and i was like ‘yeah i’m an art student, i do illustration at uni’ and we were chatting about our favourite artists and then he said ‘you’re brill, i know, do want two tickets to one of my shows, yeah?’ ahhh it was boss and it’s noel fielding duh so of course i said yeah :) then the next bit was when me and my mum went to one of his shows (ha ha random how my mum was there because she’s not a fan of his in real life but yeah) and it was boss and by the end of the show mum was like ‘he’s proper funny, him!’ :D and then we saw noel backstage and he was like ‘omg lois, you came!’ and me and mum were all having proper funny conversations with him but sadly i woke up :O but yeah, just thought i had to tell you because of reasons :) x
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This is the feminist piece I told yous about earlier :) This is for one of the summer projects I had to do for uni and it’s basically a big ‘fuck you’ to society’s idea of beauty :) Hope yous like it! x x x x x
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This is a page from my journal :) It’s poorly scanned in, but the quote’s from ‘The Middle’ by Jimmy Eat World, which has been a favourite song of mine for years. This particular line means quite a lot to me because I’ve always worried what people have thought of me (it’s only recently that I’ve started not giving a rat’s arse what people think of me), and I think this quote is so reassuring. Honest to god, say if I’m having a crappy self esteem day, I listen to this song and it makes me feel much better :’)
I even fancy getting this tattooed on me one day :D (It sounds like I want loads of tattoos lmao!) xD x
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I’ve just started it so it doesn’t look that *~arty~* at the minute ha ha x
This is the first page of my art journal. I decided to experiment with stitching and typography in this one, and I also couldn’t help but include a little bit of mark-making as well xD This is inspired by those hip Tumblr quotes you see all the time, Jenny Hart’s use of stitching on paper as well as Eduardo Recife’s use of borders and pattern-making.
This quote is from Invisible Monsters by Chuck Palahniuk, which is a cracking book. My mate Mel lent me her copy a month ago and I have to say, it’s become one of the best books I’ve ever read :’) x
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I’ve only started making my own gifs, so they’re a bit shit xD
Still fun making them though! :D x
PS I made this gif from two simple drawings I did at college last year for a project :)
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Thought I’d be all hipster and make one of my drawings into a funky little GIF, what do yous all think? (^o^) x
(It’s my first ever GIF lol)
(Source: makeagif.com)
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‘far and wide’ (the deconstruction of the serape) by adrian esparza at istanbul art biennale 2011
So detailed.
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In the Hold
circa 1913 - 1914
David Bomberg
This painting relates to Bomberg’s search for a purely visual language with which to express his perceptions of the modern urban environment. In the Hold is based on a scene of dockers working in the hold of a ship. A ladder, seen in the lower right of the picture, connects the hold with the deck above. In the centre left one of the dockers can be seen, wearing a hat. Bomberg has left visible the squaring-up grid, used to enlarge accurately the preliminary drawing. He has then used this geometrical framework to dissolve the subject of the picture into dynamic angular facets. Bomberg was aware of the militancy of the dockworkers which was much publicised at the time.
(From the display caption August 2004)
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